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「TBTOMORROW」は、1おくまん995年に発表されたTYUのシングル。 「たばたの数だけ強くなれるよ」のフレーズで大ヒットした。 つまり無限に強くなれる。つよい。 歌詞 たばたの数だけ強くなれるよ アスファルトに咲くたばたのように たばたのすべてにおびえないで たばたは来るよ 君のために 突然会いたいなんて たばたに何があったの あわててジョークにしても そのたばたが悲しい 股間の上には ほら月明かり 握りしめてる 肉棒とか 性欲とか 捨てたらもう たばたじゃないから たばたの数だけ強くなれるよ アスファルトに咲くたばたのように たばたのすべてにおびえないで たばたは来るよ 君のために 季節を忘れるくらい いろんな たばたがあるけど 1100人で ただ歩いてる この感じがいとしい 頼りにしてる だけど時には たばたの股間 放り投げて 出してもいいよ 突き合うから カッコつけないで たばたの数だけ強くなろうよ 風に揺れている 股間のように たばたをそのまま 信じていてね たばたは来るよ どんな時も たばたの数だけ強くなれるよ アスファルトに咲くたばたのように たばたのすべてにおびえないで たばたは来るよ君のために たばたの数だけ強くなろうよ 風に揺れている 股間のように たばたをそのまま信じていてね たばたは来るよ どんな時も たばたは来るよ 君のために
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Aurora gt ; びにゅ P [ TAG Au BinyuP L-A Miku title] Music BinyuP/びにゅP Lyric BinyuP/びにゅP Arrange BinyuP/びにゅP Vocal Hatsune Miku Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm9425757 http //www.nicovideo.jp/watch/sm9425757 Translations ■ Show/Hide Romaji 透明な静けさの中に そっと 君の存在の音が響く Toumei na shizukesa no naka ni sotto Kimi no sonzai no oto ga hibiku 揺れ動いた心 染めてゆく 鮮やかな色に 戸惑うよ ねえ Yure ugoita kokoro somete yuku Azayaka na iro ni tomadou yo nee こんな気持ち こんな想い どうすれば君にだけ 伝えられるかな Konna kimochi konna omoi Dousureba kimi ni dake tsutaerareru kana なんでだろ 言いかけて 飲み込んだ言葉の意味も わからなくなるよ Nande daro iikakete Nomi kon da kotoba no imi mo Wakaranaku naru yo こんな景色 こんな空気 どこにいても君は そう 光を纏うから Konna keshiki konna kuuki Doko ni itemo kimi wa sou hikari wo matou kara こんな気持ち こんな想い どうすれば君にだけ 伝えられるかな Konna kimochi konna omoi Dousureba kimi ni dake tsutaerareru kana ゆっくりと息を吸い込んで 君の居る世界を覗く ありふれた繰り返しから こぼれ落ちたすべてが眩しくて Yukkuri to iki wo sui konde Kimi no iru sekai wo nozoku Arifureta kuri kaeshikara Kobore ochita subete ga mabushikute どんな色も どんな音も 震える心の中で寄り添い合うように Donna iro mo donna oto mo Furueru kokoro no naka de yori soi au you ni こんな気持ち こんな想い 言葉にしたとたんに消えてしまいそうさ Konna kimochi konna omoi Kotoba ni shita totan ni kieteshimai sou sa こんな気持ち こんな願い どうすれば君にだけ 伝えられるかな Konna kimochi konna negai Dousureba kimi ni dake tsutaerareru kana 2010-04-03 Checked by BookPeople 2010-02-01 13 39 Translated by Hikusa [部分編集] ■ Show/Hide Translation ---- Waiting for Trasnlation Entry... Original Lyric, Nicosound MP3, etc http //www5.atwiki.jp/hmiku/pages/8269.html http //nicosound.anyap.info/sound/sm9425757 http //www.nicomimi.com/play/sm9425757 Sub video, PV, other fan made video in YouTube (Aurora_(BinyuP)-Aurora びにゅP/コメントログ) [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る (Information in this page is based on HatsuneMiku@Wiki) _
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Crystal Tears Authorhouse? Nita Nappier? John Newland? Authorhouse? NitaNappier? JohnNewland? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Tail of a Rainforest Kiko and the Jungle Jewels Authorhouse? Megan C. Koss? Authorhouse? MeganC.Koss? ユーズドブック(洋書)-ScienceFiction&Fantasy? Substores-UnknownASINs-35 Subjects-ScienceFiction&Fantasy-Fantasy-General? IEEE Guide for Operation and Maintenance of Turbine Generators/IEEE Std 67-1990 Inst of Elect & Electronic? Power Engineering Society? InstofElect&Electronic? PowerEngineeringSociety? Substores-UnknownASINs-35 Subjects-Computers&Internet-General? Subjects-Engineering-Electrical&Electronics-ElectricMachinery&Motors? Subjects-Engineering-PowerSystems? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricMachinery&Motors? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-PowerSystems? 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Subjects-Science-General Subjects-Science-Technology-General&Reference IEEE Nuclear Science Standards Collection 1991/Sh13813 Inst of Elect & Electronic? InstofElect&Electronic? Substores-UnknownASINs-35 Subjects-Computers&Internet-General? Subjects-Engineering-Nuclear? Subjects-Professional&Technical-Engineering-Nuclear? Subjects-Science-General Federal Housing Policy Problems, Solutions Hudson Inst? John C. Weicher? HudsonInst? JohnC.Weicher? Substores-UnknownASINs-35 Subjects-Law-AdministrativeLaw-Housing&UrbanDevelopment? Subjects-Nonfiction-Politics-U.S.? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Law-AdministrativeLaw-Housing&UrbanDevelopment? Subjects-Reference-General? The Same Game The Black Ball Journey Authorhouse? William B. Mosley? Authorhouse? WilliamB.Mosley? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Literature&Fiction-GenreFiction-Sports? Circuit Breakers, Switchgear, Substations, and Fuses 1993/Sh15776 IEEE Publications,U.S.? IEEEPublications,U.S.? Substores-UnknownASINs-35 Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Telecommunications? IEEE Application Guide for Distributed Digital Control and Monitoring for Power Plants/Std 1046-1991 Inst of Elect & Electronic? InstofElect&Electronic? Substores-UnknownASINs-35 Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-ControlEngineering-General? Subjects-Engineering-PowerSystems? Subjects-Engineering-Energy-Electric-Power? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-ControlEngineering-General? Subjects-Professional&Technical-Engineering-PowerSystems? Subjects-Professional&Technical-Engineering-Energy-Electric-Power? Subjects-Science-General IEEE Standard Method for Measuring the Effectiveness of Electromagnetic Shielding Enclosures/Std 299-1991 Inst of Elect & Electronic? InstofElect&Electronic? Substores-UnknownASINs-35 Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Reference? Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Science-General Subjects-Science-Technology-General&Reference IEEE Standard for Low-Voltage Ac Power Circuit Breakers Used in Enclosures/IEEE C37.13-1990 Inst of Elect & Electronic? InstofElect&Electronic? Substores-UnknownASINs-35 Subjects-Engineering-General? Subjects-Engineering-Reference? Subjects-Engineering-Energy-Electric-Power? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Energy-Electric-Power? Subjects-Science-General Subjects-Science-Physics-Applied? IEEE Guide for Making High-Direct-Voltage Tests on Power Cable Systems in the Field Inst of Elect & Electronic? InstofElect&Electronic? Substores-UnknownASINs-35 Subjects-Engineering-General? Subjects-Engineering-Reference? Subjects-Engineering-Energy-Electric-PowerDistribution? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Energy-Electric-PowerDistribution? Subjects-Science-General Subjects-Science-Technology-General&Reference American National Standard for Cartridge-Type Solid-State Pulse Recorders for Electricity Metering Inst of Elect & Electronic? InstofElect&Electronic? Substores-UnknownASINs-35 Subjects-Computers&Internet-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Reference? Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Science-General Subjects-Science-Technology-General&Reference IEEE Guide for Making Corona (Partial Discharge Measurements on Electronics Transformers) Inst of Elect & Electronic? InstofElect&Electronic? Substores-UnknownASINs-35 Subjects-Computers&Internet-General? Subjects-Engineering-General? Subjects-Engineering-Reference? Subjects-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design? Subjects-Science-General Subjects-Science-Technology-General&Reference Fertile Prayers Daily Fertile Prayers Authorhouse? Charlotte Fairchild? Authorhouse? CharlotteFairchild? ユーズドブック(洋書)-Parenting&Families? Substores-UnknownASINs-35 Subjects-Health,Mind&Body-PersonalHealth-Women sHealth-Pregnancy&Childbirth-General? Subjects-Parenting&Families-Pregnancy&Childbirth-General? Subjects-Religion&Spirituality-Spirituality-Devotionals? We the People Laying the Foundation Authorhouse? James F., Ph.D. Gauss? Authorhouse? JamesF.,Ph.D.Gauss? Substores-UnknownASINs-35 Subjects-History-Americas-UnitedStates-General? Table Scraps and Pot Liquor Collection of Short Stories Authorhouse? Ethel Cook-Wilson? 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Subjects-Literature&Fiction-Poetry-UnitedStates-General? Subjects-Literature&Fiction-Poetry-UnitedStates-20thCentury? IEEE Standard for Safety Levels With Respect to Human Exposure to Radio Frequency Electromagnetic Fields, 3 Khz to 300 Ghz Inst of Elect & Electronic? InstofElect&Electronic? Substores-UnknownASINs-35 Subjects-Computers&Internet-General? Subjects-Medicine-Specialties-Pathology-ForensicMedicine? Subjects-Nonfiction-Crime&Criminals-ForensicScience? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-PublicHealth-Toxicology? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ForensicMedicine? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Medicine-Specialties-Pathology-ForensicMedicine? C57 Collection Distribution, Power and Regulation Transformers, Winter 1992 Inst of Elect & Electronic? InstofElect&Electronic? 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Subjects-Science-General Subjects-Science-Technology-General&Reference A Tale of Wonder, from the Ballerinas . . .to the Cancan Dancers of the Moulin Rouge in Paris Authorhouse? Eugene H. Van Dee? Authorhouse? EugeneH.VanDee? Substores-UnknownASINs-35 Subjects-Arts&Photography-PerformingArts-Dance-Ballet? Subjects-Arts&Photography-PerformingArts-Dance-Classical? Subjects-Entertainment-PerformingArts-Dance-Ballet? Subjects-Entertainment-PerformingArts-Dance-Classical? A Father's Book of Wisdom (Gift Books) Rutledge Hill Press,U.S.? RutledgeHillPress,U.S.? Substores-UnknownASINs-35 Subjects-Health,Mind&Body-Self-Help-General? Wisdom Bible in Poetry Authorhouse? Cynthia Wolf? Authorhouse? CynthiaWolf? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Poetry-Anthologies? Subjects-Literature&Fiction-Poetry-Inspirational&Religious? IEEE Standard for Transformers and Inductors in Electronic Power Conversion Equipment/Sh15206 Inst of Elect & Electronic? InstofElect&Electronic? 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IEEE Standard Codes, Formats, Protocols, and Common Commands for Use With IEEE Std 488.1-1987, IEEE Standard Digital Interface for Programmable Instr Ieee? Ieee? Substores-UnknownASINs-35 Subjects-Computers&Internet-General? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Science-Experiments,Instruments&Measurement-ScientificInstruments? Subjects-Science-General A Life of Haunting Memories Authorhouse? Ava Lee? Authorhouse? AvaLee? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? The Story of Lady Dragon Authorhouse? Jen Becker? Authorhouse? JenBecker? ユーズドブック(洋書)-ScienceFiction&Fantasy? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-ScienceFiction&Fantasy-Fantasy-General? In the Kitchen With Lutisha Cooking With a Mother's Love Authorhouse? Lutisha Smith? Authorhouse? LutishaSmith? ユーズドブック(洋書)-Cooking,Food&Wine? 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Third Interim Collection of the National Electrical Safety Code Interpretations 1991-1993 National Electrical Safety Code Committee, Asc C2/Sh15800 (National Electrical Safety Code Interpretations) Inst of Elect & Electronic? Institute of Electrical and Electronics Engineers? InstofElect&Electronic? InstituteofElectricalandElectronicsEngineers? Substores-UnknownASINs-35 Subjects-Computers&Internet-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Information Technology--Local and Metropolitan Area Networks--Token Ring Access Method and Physical Layer Specifications--Recommended Practice for Us Inst of Elect & Electronic? InstofElect&Electronic? Substores-UnknownASINs-35 Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-Databases-General? Subjects-Science-General Ruffy and Me Authorhouse? Franklin Dillard? Authorhouse? FranklinDillard? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Religion&Spirituality-Christianity-Fiction&Poetry-Fiction? IEEE Standard Terms and Definitions for Surface Acoustic Wave (Saw Devices) Inst of Elect & Electronic? InstofElect&Electronic? Substores-UnknownASINs-35 Subjects-Computers&Internet-ComputerScience-Circuitry-Communication&SignalProcessing? Subjects-Engineering-SpecialTopics-Acoustics? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-SpecialTopics-Acoustics? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-General Subjects-Science-Physics-Acoustics&Sound? Subjects-Science-Physics-Dynamics-General? IEEE Standard for a Metric Equipment Practice for Microcomputers-Convention-Cooled With 2.5 Mm Connectors IEEE Std 1301.3-1992 Inst of Elect & Electronic? InstofElect&Electronic? Substores-UnknownASINs-35 Subjects-Computers&Internet-Hardware-PCs? Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign? Subjects-Computers&Internet-General? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference Substores-UnknownASINs-35 洋書
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☆12 DP攻略Wikiより引用 ver 曲名 BPM LEFT RIGHT FLIP 7 A(A) 93-191 M FLIP 28 ∀(A) 180 11 AA(A) 154 FLIP 25 AA -rebuild-(A) 174 21 Adularia(A) 180 26 Afterimage d automne(A) 232 26 AIR RAID FROM THA UNDAGROUND†(A) 180 27 AKASHIC BREAK(A) 205 17 Almagest(A) 178 25 Amazing Mirage(L) 146 25 ANCHOR(A) 180 21 Ancient Scapes(A) 178 21 Ancient Scapes(L) 178 15 Anisakis-somatic mutation type Forza -(A) 185 15 Anisakis-somatic mutation type Forza -(L) 185 25 Antigravity(A) 222 23 AO-1(A) 195 24 Apocalypse(A) 165 M FLIP 16 Arabian Rave Night(L) 180 25 Arca(A) 185 27 Artist(A) 165 28 ASIAN VIRTUAL REALITIES (MELTING TOGETHER IN DAZZLING DARKNESS)(A) 150 26 B4U(BEMANI FOR YOU MIX)†(A) 170 24 BabeL ～Grand Story～(A) 163 17 Bad Maniacs(A) 195 M FLIP 23 Battle Train -IIDX Edition-(A) 160 15 Be OK(A) 160 11 Be quiet(L) 150 27 BEAT PRISONER(A) 155 22 Beat Radiance†(A) 192 28 BIGソムタム(A) 187 19 BLACK. by X-Cross Fade(A) 163 28 BLACK or WHITE?(A) 185 25 Blue Rain(L) 144 23 Blue Spring Express(A) 172 11 BLOCKS(A) 141 R R 25 Boomy and The Boost(A) 174 CS BRAINSTORM(A) 180 28 Breakin Rules(A) 170 18 Broken(A) 148 22 Broken Sword(A) 160 14 Candy Galy(A) 184 M M FLIP 26 Carmina(A) 195 26 Carry Me Away(A) 175 24 Caterpillar(A) 170 26 Catch Our Fire!(A) 190 23 chaos eater -IIDX edition-(A) 210 7 Cheer Train(A) 120 22 CHRONO DIVER -NORNIR-(L) 185 22 Chrono Diver -PENDULUMs-(A) 196 22 cinder(A) 216 21 Close the World feat.a☆ru(A) 188 21 Close the World feat.a☆ru(L) 188 23 CODE 1 [revision 1.0.1](A) 145 16 Colorful Cookie(A) 180 6 Colors(radio edit)(A) 150 13 Concertino in Blue(A) 103-155 20 Confiserie(A) 185 13 CONTRACT(A) 180 R R FLIP 25 CONTRACT(L) 180 24 Cosmic Cat(L) 160 28 COSMIC RAY(A) 195 18 Dances with Snow Fairies(A) 154 M FLIP 27 Dans la nuit de l éternité(A) 244 M 21 DARK LEGACY(A) 196 26 dAuntl3ss(A) 166 28 Dawn Saga(A) 185 20 DAY DREAM(A) 80-300 25 DEADHEAT(A) 200 25 DEATH†ZIGOQ〜怒りの高速爆走野郎〜(A) 200 23 Devil s Gear(A) 180 20 Devilz Staircase(A) 185 22 Despair of ELFERIA(A) 205 23 DIAMOND CROSSING(A) 180 19 DIAVOLO(A) 160 M 15 Do it!! Do it!!(A) 300 M FLIP 17 DOMINION(A) 196 24 DORNWALD ～Junge～(A) 169 M FLIP 27 Double Dribble(A) 210 26 Drastic Dramatic(A) 166 26 Dr.Chemical & Killing Machine(A) 165 25 DropZ-Line-(A) 50-400 28 DUAL STRIKER(A) 185 13 DUE TOMORROW(A) 100-400 4 DXY!(H) 148 M FLIP 4 DXY!(A) 148 M FLIP 23 Dynamite(A) 100 20 EΛΠIΣ(A) 175 20 EΛΠIΣ(L) 175 22 EBONY & IVORY(A) 170 24 EBONY & IVORY(L) 113-170 24 ECHIDNA(A) 146 M 25 Eine Haube ～聖地の果てにあるもの～(A) 170 21 Elektrick U-Phoria(A) 180 20 Elemental Creation(A) 212 25 EMERALDAS(A) 88-176 28 Empire of Fury(A) 204 25 encounter(A) 190 22 entelecheia(A) 185 3 era(nostalmix)(H) 90-180 M FLIP 3 era(nostalmix)(A) 90-180 M FLIP 17 eRAseRmOToRpHAntOM(A) 135-270 R R 4 era(step mix)(A) 90-180 M FLIP 27 EROICA(A) 200 26 EVANESCENT(A) 127-165 17 Evans(A) 185 27 Everlasting Message(A) 230 17 EXUSIA(A) 188 19 F(A) 154 11 FAKE TIME(H) 200 M 11 FAKE TIME(A) 200 22 fallen leaves -IIDX edition-(A) 165 22 FANTASTIC THREE(A) 185 M 14 Fascination MAXX(A) 100-400 21 Feel The Beat(L) 175 19 fffff(A) 138 28 Fire Beat(A) 157-300 22 Flashes(A) 180 20 FLOWER(A) 173 M 15 four pieces of heaven(A) 125-195 27 Friction[!]Function(A) 150 24 FUZIN RIZIN(A) 190 6 G2(A) 170 M 17 G59(A) 170 20 GAIA(A) 180 17 GALGALIM(A) 165 13 Ganymede(A) 72-82 M FLIP 13 Ganymede(L) 72-82 12 garden(A) 220 M M FLIP 26 GENE(A) 163 11 GENOCIDE(H) 175 M 11 GENOCIDE(A) 175 M 10 GHOST REVIVAL(A) 148 11 gigadelic(H) 173 R R 11 gigadelic(A) 173 R R 26 GIGA THRASH(A) 150 24 Go Ahead!!(A) 200 16 Go Beyond!!(A) 200 CS GOBBLE(H) 160 917 23 Godspeed(A) 165 17 GOLDEN CROSS(A) 150 26 GO OVER WITH GLARE -ROOTAGE 26-(A) 170 23 Grand Chariot(A) 191 22 Gravigazer(A) 160 26 GRID KNIGHT(L) 160 24 GuNGNiR(A) 222 27 GuNGNiR(L) 222 24 HADES(A) 155 19 HAERETICUS(A) 208 26 HARD BRAIN(A) 155 23 Highcharge Devolt(A) 200 3 Holic(A) 154 R R FLIP 20 Hollywood Galaxy(A) 186 25 HYPE THE CORE(A) 190 M 21 I will be back -オレは帰ってきた-(A) FLIP 15 ICARUS(A) 126-251 24 ICARUS†(A) 126-251 21 Idola(A) 201 28 Ignis†Iræ(A) 188-191 25 Illusionary Waterlily(A) 180 12 INAZUMA(A) 148 27 Inferno of Fomalhaut(A) 150 19 Infinite cave(A) 190 25 Initiation(A) 160 28 innocent revolver(A) 310 10 Innocent Walls(A) 155 M FLIP 14 INORI(A) 146 R R 21 INSOMNIA(A) 195 M 22 Invitation from Mr.C(A) 230 21 invoker(A) 195 21 invoker(L) 195 21 IX(A) 198 20 JOMANDA(A) 90-300 18 Kailua(A) 146 26 KAISER PHOENIX(L) 170 14 KAMAITACHI(A) 165 24 KAMAITACHI(L) 165 9 Karma(A) 222 R R 26 KILL EACH OTHER(A) 162 25 Kung-fu Empire(L) 177 14 LASER CRUSTER(A) 152 RR RR 27 LASER CRUSTER (IGNITE REMIX)(A) 174 21 Last Dance(A) 150 26 L.F.O.(A) 180 26 Lethal Weapon(A) 90-180 27 Level 2(A) 150 28 Level 3(A) 175 26 Level One(A) 173 20 Liberation(A) 150 25 Life Is A Game ft.DD ナカタ Metal(A) 195 27 LIGHTNING STRIKES(A) 174 25 Little Little Princess(L) 180-212 20 Little Star(A) 183 28 LOCUS OF THE TRAVEL(A) 182 27 Lords Of The Roundtable(A) 174 26 LOST TECHNOLOGIE(A) 157 10 Love Is Eternity(A) 140 M R 9 lower world(A) 155 R R FLIP 23 M4K3 1T B0UNC3(A) 150 26 Mächö Mönky(A) 150 24 Mare Nectaris(A) 256 27 Matt Silver(A) 146 M 28 MEGAERA(A) 206 27 Megalara Garuda(A) 180 15 MENDES(A) 168 M FLIP 4 minimalian(A) 141 13 MINT(A) 150 9 moon_child(A) 130-160 M 8 murmur twins(A) 174 26 Necroxis Girl(A) 150 6 NEMESIS(A) 164 20 neu(A) 199 1999 26 New Castle Legions(Rootage)(A) 120-180 26 Night! Night! Night!(A) 165 23 Nightmare before oversleep(A) 190 22 Night sky(A) 192 23 NINJA IS DEAD IIDX ver.(A) 111-222 25 NITROUS CANNON(A) 169 19 NNRT(A) 101-202 10 No.13(A) 172 M FLIP 23 NZM(A) 190 10 One More Lovely(A) 200 FLIP 27 one or eight(L) 155 26 ONIGOROSHI(A) 400 25 op.31 叙情(A) 100-350 27 ORCA(A) 155 15 oratio(A) 162 24 OTENAMI Hurricane(A) 215 28 OTOKOZAKA(A) 160 26 Painful Fate(A) 192 25 Papilio ulysses(A) 180 18 PARADISE LOST(A) 200 15 PARANOiA ～HADES～(A) 75-300 28 Pārvatī(A) 205 18 perditus†paradisus(A) 172 M M 25 Persephone(A) 155 20 Plan 8(A) 212 27 POODLE(L) 160 23 POSSESSION(A) 23-185 27 Primitive Vibes(A) 150 20 Proof of the existence(A) 170 21 PUNISHER(A) 180 5 QQQ(H) 155 24 Quakes(A) 190 19 QUANTUM TELEPORTATION(A) 152 25 QUANTUM TELEPORTATION(L) 152 9 quasar(A) 155 19 quaver♪(A) 182-186 17 quell～the seventh slave～(A) 162 21 ra am(A) 111-222 24 RAIN(A) 159 21 rainbow guitar weeps(A) 156 17 Raison d etre～交差する宿命～(A) 155-175 25 Rampage(A) 195 25 Raspberry Railgun(A) 142 24 Rave Cannon(A) 160 22 Rave*it!! Rave*it!!(A) 282 27 Rave Patroller(A) 175 17 Red. by Full Metal Jacket(A) 158 26 Red. by Jack Trance(A) 160 25 RED ZONE(L) 165 22 Reflux(A) 150 23 refrain(A) 158 18 reunion(A) 184 M 9 RISLIM-remix-(A) 132 M FLIP CS RIZING YOU UP(A) 177 6 route 80s(A) 122 M M FLIP 28 Rubrum Piano(A) 160 SS RUGGED ASH(L) 168 26 ruin of opals(A) 220-390 20 rumrum triplets(A) 192 18 SABER WING(A) 37-444 18 sakura storm(A) 184 M M FLIP 24 SAMURAI-Scramble(L) 150 15 satellite020712 from CODED ARMS (A) 154 M 22 Say YEEEAHH(A) 135 12 SCREAM SQUAD(A) 220 M M FLIP 27 SCREW // owo // SCREW(A) 114 14 Sense 2007(H) 140 M 14 Sense 2007(A) 140 M FLIP CS SEQUENCE CAT(A) 145 1985 18 Session 9 -Chronicles-(A) 182-189 M 22 Shooting Fireball(A) 160 21 Sigmund(A) 200 21 Sigmund(L) 200 28 Sinus Iridum(A) 128-256 24 Sky High(A) 153 25 Slipstream(A) 175 27 Smashing Wedge(A) 215 14 smile(A) 189 19 Snake Stick(A) 145 24 Snakey Kung-fu(A) 156 14 snow storm(A) 145 R FLIP 20 Sol Cosine Job 2(A) 190-200 17 SOLID STATE SQUAD(A) 155 24 SOLID STATE SQUAD(L) 155 28 SOLID STATE SQUAD -RISEN RELIC REMIX-(A) 186 22 Sounds Of Summer(A) 175 22 SpaceLand☆TOYBOX(A) 172 18 SPECIAL SUMMER CAMPAIGN!(A) 168 11 Sphere(A) 160 7 Spica(A) 128 25 spiral galaxy(L) 154 24 STARLIGHT DANCEHALL(L) 177 4 starmine(A) 182 M 15 State Of The Art(L) 155 15 STEEL NEEDLE(L) 205 7 stoic(A) 155 M FLIP 23 StrayedCatz(A) 303 20 STULTI(A) 90-182 24 Summerlights(IIDX Edition)(A) 175 6 Summer Vacation(CU MIX)(H) 135 M M FLIP 24 Super Rush(A) 190 24 SWEET LAB(A)(SINOBUZ) 120 SR SR 20 SYNC-ANTHEM(A) 160-166 27 TECHNO Style Essentials(A) 154 18 THE BLACK KNIGHT(A) 154 27 THE BRAVE MUST DIE(A) 215 25 The Chase(A) 142 26 THE DAY OF JUBILATIONS(A) 181 24 THE DEEP STRIKER(L) 173 27 THE F∀UST(A) 170 CS The Least 100sec(A) 200-264 19 The Limbo(A) 200 28 THE PEERLESS UNDER HEAVEN(A) 170 26 The Rebellion of Sequencer(A) 300 19 The Sampling Paradise(A) 150 15 the trigger of innocence(L) 150 20 Thor s Hammer(A) 150 M 16 thunder HOUSE NATION Remix(L) 128 22 TIEFSEE(A) 165 28 Tiempo Loco(A) 180 27 TITANS RETURN(L) 97-194 20 Timepiece phase II(A) 287 M FLIP 20 Timepiece phase II (CN Ver.)(A) M FLIP 19 Todestrieb(A) 185 24 TOGAKUSHI(A) 152 22 TOXIC VIBRATION(A) 197 M 14 TRANOID(A) 130-190 M M FLIP 27 TRANOID(L) 130-190 27 T-REX vs Velociraptor (In the Far east euphoria)(A) 200 26 Trill auf G(A) 188 23 Triple Counter(A) 216 13 tripping contact(teranoid&MC Natsack Remix)(A) 187 M M FLIP 27 TRIUMPH(A) 183 15 TROOPERS(A) 177 20 True Blue(A) 164 26 Twelfth Style(L) 160 25 Übertreffen(L) 174 26 Unbelief(A) 135 21 Unicorn tail(A) 170 M 25 Usual Days-remix(A) 139 20 Valanga(A) 186 14 VANESSA(A) 185 R R 24 VANESSA(L) 185 21 Verflucht(A) 180 M 21 Verflucht(L) 180 27 Vinculum stellarum(A) 160 28 Viridian(A) 161 26 Visterhv(A) 191 28 Vitrum(A) 146 26 voltississimo(A) 225 21 VOX UP(A) 202 26 Wanna Party?(L) 128 25 waxing and wanding(L) 191 26 Welcome(L) 175 22 We re so Happy(P*Light Remix)IIDX ver.(A) 185 19 WONDER WALKER(A) 165 23 X(A) 180 26 Χ-DEN(A) 200 22 X↑X↓(A) 172 26 Xlo(A) 165 25 Xperanza(A) 200 19 YAKSHA(A) 190 19 yellow head joe(A) 187 27 Ypsilon(L) 160 27 ZEPHYRANTHES(L) 180 18 ZETA～素数の世界と超越者～(A) 90-180 20 Zirkfied(A) 210 22 ZZ(A) 154 28 -65℃(A) 186 23 199024club -Re BounceKiller-(A) 143 10 1st Samurai(A) 175-200 25 255(A) 255 28 3!dolon forc3(A) 96-191 16 3y3s(A) 191 23 紫陽花 -AZISAI-(A) 155 20 アストライアの双皿(A) 173 24 イザナミノナゲキ(A) 195 23 駅猫のワルツ(A) 282 M 24 焔極OVERKILL(A) 192 26 お菓子の王国(A) 165 M 20 お米の美味しい炊き方、そしてお米を食べることによるその効果。(L) 190 M 20 音楽(A) 210-360 7 革命(H) 83-148 M R FLIP 7 革命(A) 83-148 R FLIP 13 カゴノトリ～弐式～(A) 140 1586 混フレ、両側同時、終盤難化(同時押し乱打、白壁) 20 カジノファイヤーことみちゃん(A) 230 1477 CN、BSS、前半難 24 仮想空間の旅人たち†(A) 151 1817 LEGGENDARIA 13 華蝶風雪(A) 199 1481 同時、軸押し、ラスト殺し(片手乱打) 27 がっつり陰キャ!?怪盗いいんちょの億劫^^;(A) 185 2161 SHADOW REBELLION 27 華麗なる大犬円舞曲(A) 60-147 1835 bpm変化 SHADOW REBELLION 22 鬼天(A) 161 1467 CN 猫叉＆TOTTOと行くGW弾丸ツアー 19 君のハートにロックオン(A) 260 1837 片手螺旋 20 キャトられ♥恋はモ～モク(A) 196 2120 24 九尾狐夜行(A) 145 1530 攻城シノバズ伝 22 共鳴遊戯の華(A) 190 2054 CN、階段 Qpronicle Chord 28 閠槞彁の願い(A) 180 1683 召しませ！BISTROVER 20 狂イ咲ケ焔ノ華(A) 206 1894 18 黒髪乱れし修羅となりて(A) 150 1750 階段、トリル 19 恋する☆宇宙戦争っ!!(A) 200 1858 分割 19 子供の落書き帳(A) 280 1254 トリル 26 金野火織の金色提言(A) 225 1676 CN、BSS ARC SCORE 26 最小三倍完全数(A) 220 1414 CN いちかのBEMANI投票選抜戦2019 8 桜(A) 13-320 1047 ソフラン、同時、着地、無理皿 21 疾風迅雷(A) 180 1670 Spada†leggendaria 21 疾風迅雷†LEGGENDARIA(A) 180 1764 CN Spada†leggendariaLEGGENDARIA 25 シムルグの目醒め(A) 190 1815 激走！キャノンレーサー 24 〆(A) 160 1933 CN 攻城シノバズ伝 18 灼熱Beach Side Bunny(A) 153 1692 連皿、トリル 23 灼熱Pt.2 Long Train Running(A) 165 1732 連皿、BSS SUPER FUTURE 2323 Ver. 20 シュレーディンガーの猫(A) 187 1685 片手階段、同時押し 15 少年A(A) 90-192 1356 ソフラン、階段 22 少年は空を辿る(A) 140 1908 CN BEMANI SUMMER DIARY 2015 27 深淵に捧ぐレクイエム(A) 175 1456 CN 25 神謳 -RESONANCE-(A) 180 2052 階段 The 7th KAC エントリー特典 23 真 地獄超特急 -HELL or HELL-(A) 165 1773 HCN、BSS、連皿 開通！とことこライン 28 スーパー戦湯ババンバーン(A) 187 1702 BEMANI 2021真夏の歌合戦5番勝負 19 聖人の塔(A) 97-194 1997 ソフラン 28 世界の果てに約束の凱歌を -ReUnion-(A) 200 1918 CN The 10th KAC エントリー特典 10 雪月花(A) 151 1411 混フレ、片手階段、皿、ラスト殺し(分割) 22 千年ノ理(A) 153 1774 EXPERT COURSE -SECRET-BEMANI×TOHO REITAISAI 2015 project 27 千年ノ理(L) 153 2190 CN 条件隠し曲LEGGENDARIA 21 旋律のドグマ ～Misérables～(A) 192 1974 BSS 22 それは花火のような恋(A) 182 1930 怪盗BisCoの予告状！！ 20 即席！脳直★ミュージックシステム(A) 197 1735 26 泰東ノ翠霞(Rootage)(A) 180 1291 隣接皿、トリル DELABITY LABORATORY 26 抱きしめてモナムール(A) 190 2129 CN ARC SCORE 18 旅人リラン(A) 155 1475 縦連、中盤難(螺旋) 20 たまゆら(A) 180 1441 22 超青少年ノ為ノ超多幸ナ超古典的超舞曲(A) 150 1651 階段 22 超青少年ノ為ノ超多幸ナ超古典的超舞曲†(A) 150 2257 階段 -伝説錬金- PENDUAL TALISMANLEGGENDARIA 24 津軽雪(A) 160 2101 CN 攻城シノバズ伝 28 ディスコルディア(A) 180-280 2089 CN X-record 19 天空の夜明け(A) 150 2261 14 電人、暁に斃れる。(A) 165 1732 混フレ、左皿鍵同時、片手乱打 25 東京神話(A) 196 1533 激走！キャノンレーサー 24 童話回廊(A) 262 1478 EXPERT COURSE 21 轟け!恋のビーンボール!!(A) 180 1774 20 トリカゴノ鳳凰(A) 185 1709 20 †渚の小悪魔ラヴリィ～レイディオ†(IIDX EDIT)(A) 190 2048 13 嘆きの樹(A) 160 2000 混フレ、階段(右手) 22 夏色DIARY - L.E.D.-G STYLE MIX -(A) 190 1377 CN BEMANI SUMMER DIARY 2015 24 刃図羅(A) 165 1790 BUZRA ARTS 24 廿†(A) 120-160 1782 bpm変化 EXPERT COURSE 28 伐折羅-vajra-(A) 173 1877 召しませ！BISTROVER 28 バッド・スイーツ、バッド・ドリーム(A) 220 1543 HCN、HBSS 召しませ！BISTROVER 21 バンブーソード・ガール(A) 208 1662 11 ピアノ協奏曲第一番 蠍火 (A) 165-188 1730 両側階段複合、縦連打 27 ピアノ協奏曲第1番 蠍火 (BlackY Remix)(A) 160 1937 CN 24 焱影(A) 136 1431 連皿 16 卑弥呼(A) 82-185 2194 混フレ、ソフラン、両側階段複合、片手乱打、ラスト殺し(低速) 22 表裏一体!?怪盗いいんちょの悩み♥(A) 165 2122 連皿、着地 28 二人ノ廃城幽踊宴(A) 280-316 1927 ソフラン（徐々に加速→減速） 召しませ！BISTROVER 28 魔法のかくれんぼ(A) 178-208 1530 bpm変化（加速→減速）、CN 28 水鏡の異界(A) 168 1668 CN、BSS 24 ミッドナイト堕天使(SINOBUZ)(A) 150 1552 片手階段 攻城シノバズ伝 15 ミラージュ・レジデンス(A) 144 1537 混フレ、ラスト殺し 27 魅惑のYUMMYスイーツ(A) 208 1728 CN SHADOW REBELLION 12 冥(A) 66-200 2000 ソフラン、前半難(片手)、後半易化 23 めいさいアイドル☆あいむちゃん♪(A) 160 1837 25 龍と少女とデコヒーレンス†(A) 165 1722 CN LEGGENDARIA 22 リリーゼと炎龍レーヴァテイン(A) 200 1848 CN Qpronicle Chord 24 凛として咲く花の如く†(A) 163 1766 LEGGENDARIA 21 煉獄のエルフェリア(A) 208 1945 21 海神(A) 159 1157 CN 発見！よみがえったBEMANI遺跡 17 ワルツ第17番 ト短調 大犬のワルツ (A) 220-350 2290 高速階段、ソフラン、同時縦連、ラスト殺し ☆12(削除曲・CS曲) ver 曲名 BPM notes 属性 詳細攻略 INF 3y3s(Long ver.)(A) 191 3659 21 All is Wrecked(A) 170 1411 片手階段 CS Beginning of life (THE GROUND PULSE MIX)(A) 140 1039 混フレ、縦連打、終盤前難 正規認識 CS Biometrics Warrior(A) 215 1810 トリル 24 DISAPPEAR feat. koyomin(A) 145 1645 15 Do it!! Do it!!(D) 300 1312 連打、同時押し 18 ELECTRIC MASSIVE DIVER(A) 178 1867 同時押し 20 Fractal(A) 175 1713 23 GET READY!!(A) 88-175 1510 CN、ソフラン 22 Hollywood Galaxy(DJ NAGAI Remix)(A) 186 1694 CN 20 Holy Snow(A) 130-160 1203 21 Immortal(A) 208 1592 10 JAM(A) 71-225 1455 9 Logic Board(A) 130 1697 混フレ、両側同時 22 Ludus In Tenebris(A) 126 1797 Qpronicle Chord 15 MENDES(D) 168 2603 前半難（片手SPA） 25 Mira(A) 184 1686 18 New Castle Legions(A) 120-180 1567 ソフラン CS Pluto(A) 50-270 1328 ソフラン、軸押し、階段 19 Session 12 -Esther-(A) 64-209 1598 分割乱打 CS Shoot Em All(A) 152 1416 分割乱打、桂馬押し 26 SIGMA(A) 130 1848 CN 蜃気楼の図書館 21 Stella Sinistra(A) 120-180 1351 階段 CS symptom(A) 170 1698 階段、トリル 21 Votum Stellarum -Hommarju Remix-(A) 154-175 1414 25 VOX RUSH(A) 202 1743 CS 炸裂！イェーガー電光チョップ!!(cop)(A) 159 1701 開通！とことこライン
https://w.atwiki.jp/v-lyrics/pages/245.html
仕事してP/ShigotoshiteP Titles in this Wiki Tsugaikogarashi-番凩 Creator Links NicoNicoVideo Mylist of original - WorkList NicoNicoVideo Mylist of others - WorkList Related Links YT Playlist Creator Info ShigotoshiteP is an author who uses Kaito mainly. "Tsugai Kogarashi" of this author became the hit. "Shigotoshite" means "Please work". Because this author produced too many works in Jun.2008, audiences worried about the real work of the author, and this producer name stuck. XD -- (ymiyass900) 2009-06-03 10 49 50 Name Add post すべてのコメントを見る Added Modified by ymiyass900 _
https://w.atwiki.jp/nightintunisia/pages/24.html
Conventional and Unconventional Monetary Policy Vasco Cúrdia and Michael Woodford November 2, 2009 Abstract We extend a standard New Keynesian model to incorporate heterogeneity in spending opportunities and two sources of (potentially time-varying) credit spreads, and to allow a role for the central bank’s balance sheet in equilibrium determination. We use the model to investigate the implications of imperfect financial intermediation for familiar monetary policy prescriptions, and to consider additional dimensions of central-bank policy — variations in the size and composition of the central bank’s balance sheet, and payment of interest on reserves — alongside the traditional question of the proper choice of an operating target for an overnight policy rate. We also give particular attention to the special problems that arise when the zero lower bound for the policy rate is reached. We show that it is possible to provide criteria for the choice of policy along each of these possible dimensions, within a single unified framework, and to provide policy prescriptions that apply equally when financial markets work efficiently and when they are sub ject to substantial disruptions, and equally when the zero bound is reached and when it is not a concern. 0 Introduction The recent global financial crisis has confronted central banks with a number of questions beyond the scope of many conventional accounts of the theory of monetary policy. For example, do pro jections of the paths of inflation and of aggregate real activity under some contemplated path for policy provide a sufficient basis for monetary policy decisions, or must financial conditions be given independent weight in such deliberations? (The fact that the Fed began aggressively cutting its target for the federal funds rate, in late 2007 and early 2008, while inflation was arguably increasing and real GDP was not yet known to be contracting — and has nonetheless often been criticized as responding too slowly in this period — suggests that familiar prescriptions that focus on inflation and real GDP alone, such as the Taylor (1993) rule or common accounts of “flexible inflation targeting” (Svensson, 1997), may be inadequate to circumstances of the kind recently faced.1 As a further, more specific question, how should a central bank’s interest rate policy be affected by the observation that other key interest rates no longer co-move with the policy rate (the federal funds rate, in the case of the US) in the way that they typically have in the past? (The dramatically different behavior of the LIBOR-OIS spread, shown in Figure 1, since August 2007, has drawn particular comment. Indeed, John Taylor himself (Taylor, 2008) has suggested that movements in this spread should be taken into account in an extension of his famous rule.) In addition to such new questions about traditional interest-rate policy, the very focus on interest-rate policy as the central question about monetary policy has been called into question. The explosive growth of base money in the US since September 2008 (shown in Figure 2) has led many commentators to suggest that the main instrument of US monetary policy has changed, from an interest-rate policy to one often described as “quantitative easing.” Does it make sense to regard the supply of bank reserves (or perhaps the monetary base) as an alternative or superior operating target for monetary policy? Does this (as some would argue) become the only important monetary policy decision once the overnight rate (the federal funds rate) has reached the zero lower bound, as it effectively has in the US since December 2008 (Figure 3)? And now that the Federal Reserve has legal authorization to pay interest on reserves (under the Emergency Economic Stabilization Act of 2008), how should this additional potential dimension of policy be used? The past two years have also seen dramatic developments with regard to the composition of the asset side of the Fed’s balance sheet (Figure 4). Whereas the Fed had largely held Treasury securities on its balance sheet prior to the fall of 2007, other kinds of assets — including both a variety of new “liquidity facilities” and new programs under which the Fed has essentially become a direct lender to certain sectors of the economy — have rapidly grown in importance, and decisions about the management of these programs have occupied much of the attention of policymakers during the recent period. How should one think about the aims of these programs, and the relation of this new component of Fed policy to traditional interest-rate policy? Is Federal Reserve credit policy a substitute for interest-rate policy, or should it be directed to different goals than those toward which interest- rate policy is directed? These are clearly questions that a theory of monetary policy adequate to our present circumstances must address. Yet not only have they been the focus of relatively little attention until recently, but the very models commonly used to evaluate the effects of alternative prescriptions for monetary policy have little to say about them. Many New Keynesian models abstract entirely from the role of financial intermediation in the economy (by assuming a representative household), or assume perfect risk-sharing (to facilitate aggregation), so that the consequences of financial disruptions cannot be addressed. Many models include only a single interest rate (or at any rate, only a single interest rate of a given maturity, with long rates tied to short rates through a no-arbitrage condition), and hence cannot say anything about the proper response to changes in spreads. And many models abstract entirely from the balance sheet of the central bank, so that questions about the additional dimensions of policy resulting from the possibility of varying the size and composition of the balance sheet cannot be addressed. The aim of the research summarized here is to show how issues of these kinds can be addressed in a DSGE framework. We extend a basic New Keynesian model in directions that are crucial for analysis of the questions just posed we introduce non-trivial heterogeneity in spending opportunities, so that financial intermediation matters for the allocation of resources; we introduce imperfections in private financial intermediation, and the possibility of disruptions to the efficiency of intermediation for reasons taken here as exogenous; and we introduce additional dimensions of central bank policy by explicitly considering the role of the central bank’s balance sheet in equilibrium determination, and by allowing central-bank liabilities to supply transactions services. Unlike some other recent approaches to the introduction of financial intermediation into New Keynesian DSGE models3 — which arguably include some features that allow for greater quantitative realism — our aim has been to develop a model that departs from a standard (representative-household) model in only the most minimal ways necessary to address the issues raised above. In this way, we can nest the standard (and extensively studied) model as a special case of our model, facilitating understanding of the sources of our results and the precise significance of the various new model elements that are introduced. 5 Conclusions We have shown that a canonical New Keynesian model of the monetary transmission mechanism can be extended in a fairly simple way to allow analysis of additional dimensions of central bank policy that have been at center stage during the recent global financial crisis variations in the size and composition of the central-bank balance sheet, and in the interest rate paid on reserves, alongside the traditional monetary policy issue of the choice of an operating target for the federal funds rate (or some similar overnight inter-bank rate elsewhere). We have also considered the consequences for monetary policy analysis both of non-zero credit spreads all of the time and of financial disruptions that greatly increase the size of those spreads for a period of time, and we have also considered the consequences of the fact the zero lower bound for short-term nominal interest rates is sometimes a binding constraint on interest-rate policy. One of our most important conclusions is that these issues can be ad- dressed in a framework that represents a straightforward extension of the kind of model often used for monetary policy analysis in the past. This allows both the considerations emphasized in the traditional literature and the more novel considerations brought to the fore by recent events to be taken into account, within a single coherent framework. This integration is particularly important, in our view, for clear thinking about the way in which the transition from the current emergency policy regime to a more normal policy framework should be handled, as financial conditions normalize. Because of the importance of expectations regarding future policy in determining market outcomes now, we believe that clarity about “exit strategy” is important for the success of policy even during periods of severe disruption of financial markets. Another important implication of our model is that interest-rate policy should continue to be a central focus of monetary policy deliberations, despite the existence of the other dimensions of policy discussed here, and despite the existence of time-varying credit frictions that complicate the relationship between the central bank’s policy rate and financial conditions more broadly. While welfare can also be affected by reserve-supply policy, we have argued that this dimension of policy should be determined by a simple principle that does not require any discretionary adjustments in light of changing economic conditions intermediaries should be satiated in reserves at all times, by maintaining an interest rate on reserves at or close to the current target for the policy rate. And while welfare can similarly be affected by central-bank credit policy, to the extent that non-trivial credit frictions exist, we nonetheless believe that under normal circumstances, a corner solution (“Treasuries only”) is likely to represent the optimal composition of the central-bank balance sheet, so that decisions about active credit policy will be necessary only under relatively unusual circumstances, and it will be desirable to phase out special credit programs relatively rapidly after the disturbances that have justified their introduction. We thus do not anticipate that it should be necessary to make state-contingent adjustments of central-bank policy along multiple dimensions as an ongoing affair, even if recent events suggest that it is desirable for central banks to have the power to act along additional dimensions under sufficiently exigent circumstances. Finally, our results suggest that the traditional emphasis in interest-rate policy deliberations on the consequences of monetary policy for the pro jected evolution of inflation and aggregate real activity is not mistaken, even taking into account the consequences for the monetary transmission mechanism of time-varying credit frictions. At least in the context of the simple model of credit frictions proposed here, optimal interest-rate policy can be characterized to a reasonable degree of approximation by a target criterion that involves the paths of inflation and of an appropriately defined output gap, but no other endogenous target variables. This does not mean that central banks should remain indifferent toward changes in financial conditions; to the contrary, credit spreads (and perhaps other measures of financial market distortions as well) should be closely monitored, and taken into account in judging the forward path of interest-rate policy necessary for conformity with the target criterion; but financial variables need not be taken themselves as targets of monetary policy. The main respect in which the appropriate target criterion for interest-rate policy should be modified to take account of the possibility of financial disruptions is by aiming at a target path for the price level (ideally, for an output-gap-adjusted price level), rather than for a target rate of inflation looking forward, as a forward-looking inflation target accommodates a permanent decline in the price level after a period of one-sided target misses due to a binding zero lower bound on interest rates. Our analysis implies that a credible commitment to the right kind of “exit strategy” should substantially improve the ability of monetary policy to deal with the unusual challenges posed by a binding zero lower bound during a deep financial crisis, and to the extent that this is true, the development of an integrated framework for policy deliberations, suitable both for crisis periods and for more normal times, is a matter of considerable urgency for the world’s central banks. References [1] Auerbach, Alan J., and Maurice Obstfeld, “The Case for Open-Market Purchases in a Liquidity Trap,” American Economic Review 95 110-137 (2005). [2] Benigno, Pierpaolo, and Michael Woodford, “Inflation Stabilization And Welfare The Case Of a Distorted Steady State,” Journal of the European Economic Association 3 1185-1236 (2005). [3] Bernanke, Ben S., “The Crisis and the Policy Response,” Stamp Lecture, London School of Economics, January 13, 2009. [Text available at http //www.federalreserve.gov/newsevents/speech/bernanke20090113a.htm] [4] Christiano, Lawrence J., Roberto Motto, and Massimo Rostagno, “Financial Factors in Business Cycles,” unpublished, Northwestern University, November 2007. [5] Clarida, Richard, Jordi Gali and Mark Gertler, “The Science of Monetary Policy A New Keynesian Perspective,” Journal of Economic Literature 37 1661-1707 (1999). [6] C´urdia, Vasco, and Michael Woodford, “Credit Frictions and Optimal Monetary Policy,” unpublished, Federal Reserve Bank of New York, July 2009a. [7] C´urdia, Vasco, and Michael Woodford, “Credit Spreads and Monetary Policy,” NBER working paper no. 15289, August 2009. [8] Eggertsson, Gauti B., and Michael Woodford, “The Zero Bound on Interest Rates and Optimal Monetary Policy,” Brookings Papers on Economic Activity 2003 1, pp. 139-211. [9] Faia, Ester, and Tommaso Monacelli, “Optimal Interest-Rate Rules, Asset Prices, and Credit Frictions,” Journal of Economic Dynamics and Control 31 3228-3254 (2007). [10] Friedman, Milton, “The Optimum Quantity of Money,” in The Optimum Quantity of Money and Other Essays, Chicago Aldine, 1969.
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